In his works Moritz Ostruschnjak dwells upon the transformations in physical and social experiences in times of digitization and virtualization. His pieces are spaces made up of hyperlinks which utilize the media-machinery of the 21st century as a motif as well as an archive, thus mirroring and reflecting social processes. Following the principle of pick & mix and cut & paste, highly heterogeneous elements and connections form the narrative of a reality in which the boundaries between politics, entertainment and populism become increasingly indistinct.

As an active member of the graffiti sprayer scene, Moritz Ostruschnjak developed his interest in contemporary dance through breakdancing. He studied at Iwanson International in Munich and completed his training with Maurice Béjart in Lausanne. After this, he worked as a dancer at home and abroad. He has been working as a freelance choreographer in Munich since 2013 and created the solo “Island of Only Oneland” and the ensemble pieces “Text Neck”, “BOIDS”, “UNSTERN” and “AUTOPLAY”. His production “YESTER:NOW” (2021) premiered at Munich’s largest concert, the Philharmonic hall of the Gasteig and in 2022 he realized his piece “TERMINAL BEACH” at Munichs UTOPIA.His works have been performed at many European festivals, the production “UNSTERN” was selected for the TANZPLATTFORM DEUTSCHLAND 2020 and his solo "TANZANWEISUNGEN" for TANZPLATTFORM DEUTSCHLAND 2022.

He is one of the Aerowaves Twenty21 Artists and was 2020 awarded with the Promotion Award Dance of the City of Munich. In 2022 received the three-year grant from the Department of Arts and Culture of the City of Munich and the three-year conceptual funding of the Fonds Darstellende Künste (Performing Arts Fund). Moritz Ostruschnjak is a member of Tanztendenz München e.V. and has been supported by the network Grand Luxe 2019/2020.